?【#電影節發燒友】#布烈遜 修復經典：《慕雪德》、《驢子巴特薩》 慕雪德與巴特薩，同樣是受壓逼的無辜生靈，見證塵世各種苦難與折磨，分別只在一是名少女，一是頭驢子。殘酷的人倫隨着驢子巴特薩的經歷徐徐揭示，其不幸與傷悲與牠身邊的人和事融會無間。驢子換上受盡欺凌的村女慕雪德，以寬宏大量化解人間悲苦，甚至自我犧牲。布烈遜以一人一驢，在喜怒不形於色之間，透出種種弦外之音，作出對無情不義的控訴。5 月21日可連看兩部修復姊妺作，對照之下更見大師將悲劇昇華的真章。

名導推薦：

路易馬盧：「布烈遜被視為簡約嚴肅的導演，但我覺得《慕雪德》其實非常感性。故事的結局她由山坡滾下自盡，令我潸然淚下。」

瑪格烈特杜哈斯：「《驢子巴特薩》不是知性的，而是既知性又感性；比一般人想的更為感性。在我看過的電影中，這也許是最能表達出因孤獨而來的精準創意的一部。」

米高漢尼卡：「《驢子巴特薩》是我最珍重的電影瑰寶。沒有其他電影能令我如此心弦顫動、腦海千迴。」

《慕雪德》：http://cinefan.com.hk/zh-hant/movie/mouchette/ 《驢子巴特薩》：http://cinefan.com.hk/zh-hant/movie/au-hasard-balthazar/

?【#CineFan】#RobertBresson: MOUCHETTE and AU HASARD BALTHAZAR Mouchette and Balthazar, a girl and a donkey, share the bleakest life of all Bresson's tragedies. In AU HASARD BALTHAZAR, a humble donkey witnesses all the bitterness and torment on earth; while in MOUCHETTE a young village girl replaces it in facing all her sufferings and social duties without complaints. In these astonishing minimalist stories, both human and animal become parables of redemption shot through with Bressonian doubt and beauty. Watch these restored classics in one go on 21 May, and see how sadness can be transcended into the most solacing.

Filmmakers' Recommendations:

LouisMalle: "Bresson is supposed to be a very austere filmmaker, but I feel MOUCHETTE is a very sensual film. The end of the film where she is rolling down the hill to her death made me cry."

MargueriteDuras: "[AU HASARD BALTHAZAR] is not intellectual, it is total; it is also much more sensual than people think. ....It is perhaps the only film I've seen that best represents a solitary, therefore exact, kind of creation."

MichaelHaneke: " AU HASARD BALTHAZAR remains for me the most precious of all cinematic jewels. No other film has ever made my heart and my head spin like this one."

MOUCHETTE: http://cinefan.com.hk/movie/mouchette/ AU HASARD BALTHAZAR: http://cinefan.com.hk/movie/au-hasard-balthazar/