?【#電影節發燒友】#布烈遜：《武士蘭西諾》、《心魔》 中古世紀的武士與七十年代的巴黎學生有何共通之處？在布烈遜的悲觀冷眼中，兩人都是一步步走向自毀。《武士蘭西諾》主角為阿瑟王尋找聖杯不果卻愛上了皇后，最後在武林大會戰死沙場。來到《心魔》，殺戮戰場變成殘酷社會，年輕人對世界徹底失望，買兇射殺自己。《心魔》在法國曾被禁公映達17年，40年後的今天難得重現銀幕，一切竟又似曾相識。證明魔鬼作祟永不過時，古今中外武士凡人皆難以倖免。

名導推薦：

尊和特斯：「布烈遜儼如直面圓桌武士，因為影片幾乎全是盔甲、頭盔、軍靴、馬蹄的特寫和中景，只有很少很少的人面。」

法斯賓達：「布烈遜的《心魔》是我在今屆柏林影展看過芸芸電影中最驚天動地的作品。」法斯賓達於1977年擔任柏林影展的評審，曾威脅說假如該片不能獲得大獎，將會與英國影評人戴歷馬琴一同離場抗議。最終《心魔》與另外兩片同獲銀熊獎。

《武士蘭西諾》：http://cinefan.com.hk/zh-hant/movie/lancelot-of-the-lake/ 《心魔》：http://cinefan.com.hk/zh-hant/movie/the-devil-probably/

?【#CineFan】#RobertBresson: LANCELOT OF THE LAKE and THE DEVIL, PROBABLY Myth or reality, in the Middle Ages or the seventies, the swirling worlds of grime and death continue to haunt the tormented souls - no matter it is the LANCELOT OF THE LAKE who leaves his quests for banal romance and honor in ruins, or the Parisian student who rejects a corrupt capitalistic world and has to buy his own death in THE DEVIL, PROBABLY, one of Bresson's most rarely-screened films which has been banned from public viewing for 17 years in France. Both films demand questions of political and moral action of this era that remains powerful and pressing to this day.

Filmmakers' Recommendations:

JohnWaters: "Bresson meets the Knights of the Round Table, sort of, since this film is told almost entirely in close-ups or medium shots of armour, helmets, boots, horses' hooves, and very, very few human faces."

RainerWernerFassbinder: "Robert Bresson's THE DEVIL, PROBABLY...is the most shattering film I've seen in this Berlin Festival." In 1977, Fassbinder was a member of the jury at the Berlinale, and threatened to walk out with British critic Derek Malcolm unless their support for the film for the top prize was made public. It ended up sharing the second prize, the Silver Bear, with two minor films.

LANCELOT OF THE LAKE: http://cinefan.com.hk/movie/lancelot-of-the-lake/ THE DEVIL, PROBABLY: http://cinefan.com.hk/movie/the-devil-probably/