?【#電影節發燒友】《春光乍洩》、《情隔萬重山》、《七宗罪》 ?[#CineFan] BLOW-UP, L’ECLISSE and SE7EN

安東尼奧尼 荒涼孤獨的凡塵俗世，與 #大衛芬查 冷酷絕望的人間煉獄，表面如此南轅北轍，暗裏竟又殊途同歸。安氏兩部康城影展得獎名作：《春光乍洩》裏的屍體與女體，以表象的欺騙和幻覺的挑釁，令真實瓦解無形無相；《情隔萬重山》裏憂鬱少女和股票經紀之間的若有若無，見證情愛虛幻。《七宗罪》借連環殺人的「替天行道」，令正義與邪惡的界線變得模糊。到最後，皆是人生空幻如泡影。

1月27日的映後談，影評人博比談到《七宗罪》採用黑色電影風格，以高反差營造陰暗世界，讓觀眾投入充滿絕望的空間，反思因集體沉默而衍生的罪惡。

?放映各剩一場，把握今個星期六、日最後機會入場觀看！ ?️《春光乍洩》：http://bit.ly/2GRIQzt ?️《情隔萬重山》：http://bit.ly/2Bd4L3F ?️《七宗罪》：http://bit.ly/2EMymRj

MichelangeloAntonioni’s landscapes of loss and solitude, and #DavidFincher’s world of fear and dread diverge in their paths, yet converge at the same end. In his two Cannes price-winning masterpieces, Antonioni challenges us with shifting layers of mysteries, lies and even murder in BLOW-UP, and the difficulty of connection in an alienating modern world in L’ECLISSE. SE7EN drives us into the depths of hell through a series of murder in shocking revelation. At the end, life is full of delusions.

In the post-screening talk on 27 Jan, critic Bobby Kwok said SE7EN ushered a new wave of noir-tinged horror. Its dark and gritty nature draws audiences into an abyss of isolation and danger to contemplate the sin of apathy.

?Check out the last screenings of Cine Fan Jan/Feb programme this weekend. Get your tickets now! ?️BLOW-UP: http://bit.ly/2DeOF8I ?️L’ECLISSE: http://bit.ly/2EKomrA ?️SE7EN: http://bit.ly/2BXVMQA