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  • Ladies... keep on rocking!

    Friday, Aug 3, 2007 7:16PM / Standard Entry / Members only
    10 comments

    I went to see a Bergman film yesterday, The Seventh Seal, to remember this master and to celebrate the fact that I've finished my second rewrite (actually more like to take my mind off of my scrīpt...)  I got to the cinema early and picked up one of their monthly issues to read about the coming-soon films and related articles.  Then I saw this heading, "It's A Man's Man's Man's World"... sounded interesting, so i read on... and the first few paragraphs just grabbed my heart:

    "In June, the American Film Institute published its annual rundown of the 100 greatest American movies.  How many female filmmakers made it to the list? None....  In May, Cannes celebrated its 60th birthday by inviting 35 directors to shoot a short homage to cinema.  The result, Chacun Son Cinéma, was graced by the contribution of a single female, Jane Campion.  Her segment, The Lady Bug, featured a woman in an insect outfit being unceremoniously stomped on in a movie theatre.  Spot the metaphor....  There have been powerful women in the film industry since the days of Mary Pickford, but the fact remains that in the canon of great movie directors, female filmmakers are noticeable by their absence.  Despite that poor showing at Cannes, however, it's France that offers a glimmer of hope for how women can compete in this man's world...."   I was surprised by the AFI "statistics", but I quickly reminded myself it's America, so it's expected... but I was really stunned to know that the similar thing happens in France, and in Cannes no less... actually, most of all, I was shocked that they didn't invite Agnès Varda (French New Wave 'directrice' of Vagabond, Cléo from 5 to 7) to make a homage!!  Or Claire Denis, or Lynne Ramsay...

    The article went on with the interview of Pascale Ferran, the French female director whose film Lady Chatterley won the César this year in France.  She talked about her experience of being a female director etc...  "The problem, is that, [Ferran thinks,] there is still an institutional bias towards female directors.  While Ferran suggests this is less true in the world of independent cinema, she is forced to concede that of seven women from her film school class she's the only one to have been offered a feature film."   Then I remembered what Kelly Reichard (Ode, Old Joy) told me.  I was so lucky to have one of my film heroines to be my first directing teacher!  During my very first day of film school, my very first directing class, the 12 of us - young, innocent, hopeful film students - all sat around a long table staring at Kelly at the head of table, waiting for her to say the first word.  I thought it'd be like what we've heard before at orientation, "Welcome... psyched to have you guys... enjoy and challenge yourself in the next few years etc..."   She smiled and finally opened her mouth, "Ladies first....  think really hard if this is what you wanna do, it's *not* your world, especially if you're like this big (she raised up her pinky), let alone being a minority, you're gonna work and fight twice as hard compared to the boys, so if you're not cut out for this, you shouldn't be here..."  I was sitting across the table from my classmate Nicole (an African-American), who was the only other pinky-size-female-minority in the classroom... we just stared at each other, completely traumatized...  Up to this date, Nicole still feels resentful of Kelly's "opening speech", thinks that it's just too cruel and discouraging... on the contrary, I found it extremely inspiring and motivating (after the first few traumatized minutes.)  And I was (and still am) very grateful for that.  From time to time, especially during the down moments, her words and her image at that table would come back into my head.

    Both Kelly and the article was right on.   Personally, I try not to delve into the gender issue too much (and can't really...)  I just want to continue to make films and strive to make good films that I hope would speak to both man and woman... but this article got me thinking... though I do have quite a few filmmaking heroines, most of the ones whom I admire are male (and half of them dead anyway...)  There are quite a number of female filmmakers/film students out there (I think 50% was female in my year at film school,) so why aren't there more female directors' features?  Are we that shit?  Are we not as good as the male directors?

    I think Ferran is right about the problem being the institutional bias.  It's less obvious in the independent world but it still exists.  I sat through many "biz/pitch" meetings in which those "macho" producers just stared at me with their patronizing eyes, wondering if I could even direct...  Frankly, I know my projects aren't the most commercial, so it's hard to try to raise fund for them, be it for a man or a woman...  But sometimes, I do wonder if I'd have an easier time if I just wanted to make an 'Asian-American romantic comedy,' so I could play the Nora Ephron role with an ethic twist.   Once in a blue moon, a female director would get a chance to prove herself, like Kathryn Bigelow (Point Break, Strange Days,) but how many Bigelows do we know?  So if the institutes, the systems, the studios don't give enough chances for female directors to make features... it is no wonder we don't see their films out often... and since there *seemingly* aren't that many female director films...  the big $$ bosses wouldn't want to take risk to give them a chance to direct a feature... the vicious cycle continues....  It's the same kind of vicious cycle for the more challenging independent filmmaking, the problem always goes back to:  the big $$ bosses are biased and don't want to take risk.

    I'll leave you with this, from the same article I read:
    "If a new generation of female filmmakers is to emerge, the powers that be need to open their eyes to the contribution that women have made and will make to world cinema.  After all, this is a man's world, but it wouldn't be nothing without a woman." 

    k.
    p.s.  The Seventh Seal was really sublime, I walked out crying...

Entry comments (10)

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  • bobbyty
    posted on Wednesday, Aug 29, 2007 3:59PM [Report]
    Seventh Seal is one of my favorite movies. So many shots to talk about. The strawberries and milk scene - a moment of respite, and the moment when the Knight has sacrificed his life knowing that the family at least can escape his fate - that knowing. The final moment when each person faces death differently - peace, anger, frustration, sorrow, desolation, refusal, etc.
  • kithui
    Official artist 
    posted on Wednesday, Aug 8, 2007 4:42PM
    Flagday,
    very interesting article indeed... though with the 3 female directors ever nominated for the Oscar, one from Italy, one from Aussie, and the only one from the US is the daughter of a famous director (and somehow she seems to 'represent' the US female directors as her name always comes up...  but stop and think for a second here... her path of 'being a director' was (and is) just so very different than any other female directors...  

    it is like you said, either learn how to blow shit up, marry Cameron, or being the daughter of a famous director... then you can 'make it' in the US film industry...
  • Flagday
    posted on Wednesday, Aug 8, 2007 5:28AM [Report]
    Interesting article except I'd hardly call the market "flooded" with women directors....
    http://www.cnn.com/2007/SHOWBIZ/Movies/08/07/female.directors.ap/index.html
  • ivylam
    Official artist 
    posted on Monday, Aug 6, 2007 10:51PM [Report]
    'After all, this is a man's world, but it wouldn't be nothing without a woman."  
    ...that's definitely a great line to keep in mind!

    Keep it up, Kit!
  • rottendoubt
     
    posted on Saturday, Aug 4, 2007 12:19PM [Report]
    AnD will fix all of this and more.  .... i hope!  =)
  • wendycheng
    Official artist 
    posted on Saturday, Aug 4, 2007 2:39AM [Report]
    lol... I can totally relate to your experience of you and Nicole looking at each other, mortified... my mentor at school, a Latvian dude, would always say in his thick accent, "dur-rect-ors arre BIG GUYS. dey arre  BIG GUYS." and then tell us to do push-ups. Whatever! I still think When Harry Met Sally is one of the most impressive examples of a woman's screenplay b/c despite the fact that it's formulaic and commercial, it really sneaks in the woman's perspective in a way that seems totally universal. I mean, Sally being such a picky eater, is just a small example of the thinking of a woman with strong opinions, and it doesn't make you feel it's feminist in any way - you just feel it's universal, it's well-observed, and full of love. As for artier things, I haven't seen enough newer works but I still admire Lynn Ramsay for being someone who could translate her feminine sensitivities into very precise details that men might not notice (a boy pinching the panty hose between his mother's toes).
  • kithui
    Official artist 
    posted on Saturday, Aug 4, 2007 12:46AM
    Flagday,  

    you made me laugh out loud!  if there was a course on "How to Blow Shit Up" back in school, i'd have been the first one to sign up =)  and i have for you a 3) if you have a famous director father... then you'll for sure make it in the industry and make films... (hell, you can even "model" for a perfume ad!)

    there are programs/ organizations that support minorities, like Women In Film, and i think either HBO or ABC or both have some sort of a training/internship program... but the problem still remains, as a woman, no matter how well you're trained, in the end, when you're at the meeting, would the big boss want to green-light your project... if a male and a female director both have an action film to pitch, who will probably get a shot to make the film?  most likely the male director...  and even if the woman's action script is good... most likely it'll be optioned and then they'll find a man to direct it.  that's the reality...

    I normally don't think about this man vs. woman thing too much, partly b/c i'm in the independent world, so it's just hard ALL around for both the male and female filmmakers, and partly b/c, like what Mommy_Mok said, i actually spend most of my time appreciating what's around me, being grateful for what i've got and for the fact that i'm able to do what i love, albeit difficult and challenging at times...

    interestingly though, i think this somewhat ties in to your previous questions... "can the Bergman, Antonioni type of movies get made these days?"... "how do 90s type low budget films get made these days?"...

    whether it's man vs. woman, or independent vs. commercial, the root of the problem, i think, stems from the studio heads or the investors... they're the one who can put the fuel to run the motor so to speak... if they're more creative and ready to take risks, then there'll be more independent films/female directors...  then more people would feel their presence and learn the different kinds of films and directors that are out there and support them...  but right now, it's the opposite cycle...

    and i do think your internet showcase idea is really good... i think that's why i love about AnD... it's a supportive environment, a community... hopefully we can do our little bit to help change this vicious cycle... and you never know... maybe AnD will be so big someday that it can have all our feature films shown here =P
  • Flagday
    posted on Friday, Aug 3, 2007 10:46PM [Report]
    Women directors need two things to succeed.  
    1.  Take the "How to Blow Shit Up" in film school, and
    2.  Marry James Cameron.  

    Just kidding, kinda.  This has been a beef of mine for a while...not enough women getting the breaks.  If the industry really cared why then wouldn't they start a protege program to give women an AD role and a mentor to help bring in the next project.   Nothing opens doors like connections.  That's just one thought.  I still like my internet showcase idea...anyone doing that?
  • Mommy_Mok
    posted on Friday, Aug 3, 2007 10:39PM [Report]
    Congrats on the 2nd rewrite, you must feel relieved.  We spoke briefly about this and I think you will always have a tough road ahead, it's always going to be focused on your next big project so that you can "keep up" with your male counterparts.  However, you need to take time to remember all that you've accomplished and be proud for just a second, otherwise you'll feel burnt out.
  • jasontobin
    Official artist 
    posted on Friday, Aug 3, 2007 8:27PM [Report]
    Double whammy!! You're Asian and you're a woman!  I'm glad that you've taken it on as a challenge and that the situation motivates you.. That's the only way to look at it.

    Keep on trucking!

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