Bikini Bombshell vs Headline Honey
The rising age of neo-burlesque
Swinging tassels, glittering g-strings, dazzling rhinestones and covetous curves-all things irrevocably feminine and synonymous with the infamous era of the post-World War II Burleycue.
It was the hey-day of burlesque queens such as Lili St. Cyr and Rosita Royce and their movie star counterparts Brigitte Bardot and Marilyn Monroe. These women, or rather bombshells of the era characterized the image of femininity and redefined the age of artifice through their created beauty.
With the aid of a little effort, time, “war paint” and undergarments such as the corset or girdle they achieved the epitome of feminine glamour. Seizing the hearts of men with their perfect coiffed hair, winged eyes, crimson lips, ample breasts, impossibly tiny waists, highly fertile hips- must I continue?



Banished and condemned by the feminist movements of the 60's and 70's, how then does this outrageously clinquant age of burlesque survive and find itself embraced by the 21st century mainstream?
The answer is simple - Change - a Change in the needs of the modern day woman, a change in feminist attitudes, - a need for change in society's perspective of women and a Change in the Burleycue itself.
Contrary to the popular theory of a dungaree and unshaven armpit induced nostalgia for the women of the 50's, it is the inevitable symptom of an evolving society that has revived and revamped the infamous Burleycue and put it back into the heart of 21st century society’s mainstream.
The modern day burlesque revival is a feminist friendly one. Contrary to the working class male audience of the past, the majority of today's audience are middle class, urban and female. The performers themselves are no more the painfully young pretty things trying to etch out a living in the big city the only way they can. Rather, woman of the neo-burlesque movement are older and more financially stable, performing either as a chosen career or on the side as an interest. They are educated with degrees to boot.
They're not doing it because of limited options. Some even have impressive high power jobs, "Miss Marion" who works as a PR for Dame Vivienne Westwood, calls burlesque a "research on femininity and voyeurism". Women are "doing it to explore an erotic female presentation outside of the mainstream and multi-billion dollar porn industry" says Rachel Shteir, author of "Striptease: The Untold History of the Girlie show".
To the woman of the 21st century, burlesque is empowering. Modern day women find the idea that the female body can command powerful. Moreover, feminists feel a sense of victory and progression in reclaiming and embracing something that was formerly viewed as scandalous and exploitative of women. Women of the 21st century no longer feel a need to hide their sexuality in order to be a feminist and uphold feminist values.
Neo-burlesque performers have a choice. They take off as much as they want and choose when to stop. There is no necessity to take it all off. "The definition of feminism is about having the choice," says Neo-Burlesque Queen Dita Von Teese. "Burlesque channels a sexual power of a uniquely female persuasion in an atmosphere of celebration", continues Von Teese.

Fast forward half a century from its heyday and the modern day revamped Burlesque known as neo-burlesque offers the woman of the 21st century a juicy outlet to combat the stereotypes placed upon her.
The Media, Hollywood and multi-million dollar porn industry make it too easy for women to fall into representing what they think men find sexy and look for in a woman rather than what they want and find sexy and empowering about being a woman. Burlesque offers a vehicle to embrace that.
The resurgence of burlesque is a cultural release from 21st century stereotypes. Replace gender discrimination, unequal wage and voting rights with the image pressures of the media, labelling and a desensitized Hollywood and we get a new yet parallel dysfunctional society for the Burleycue to debunk.
With the achievements of former feminists, the biggest issue for the 21st century woman is to come to terms with her self-image-to love her body and accept it for what it is. Burlesque offers a means to challenge the modern day stereotypes of what is sexy and beautiful. Girls are getting mixed messages with the media's "love your body, be healthy and less is more!" mantra.
As post feminism fever begins to die away, women start to realize that, essentially, women are sexual beings, which leads them to the question, "Why is it so horrible to be open about wanting to be sexually desirable?" Strangely enough, the 21st century has turned this desire into something that must be as how they define appropriate. Super tight skinny jeans, super low tops, straightened hair, eye-liner and thongs (aka flip flops) are acceptible, but if you wear high heals, red lipstick and a sun dress you're trying too hard.
Women of the 21st century feel the pressure to look "beautiful" naturally. Society's, "you're beautiful just the way you are" message, clashes with "the fit long-limbed, bikini babe who wears no make-up gets all the guys" messages. Women are looking for an alternative role model for "sexy" than just that natural beauty who looks great in a bikini running on the beach with blonde hair flowing and no make up. Burlesque tells you that you can still be someone sexy even if you're not born with it. You can create it. Burlesque queen Dita Von Teese says, "I used make-up, hair and all these magical feminine tools to create something I wasn't".
Not all neo-burlesque performers have what society defines as a "good" body. This is why it has such a large female fan base as women feel empowered when they see other women who have wobbly stomachs or cottage cheese thighs being confident, like the performers of the American Fat-Bottom Revue that features plus-sized performers.
Rhinestones, makeup, corsets and embellished bras accentuate the feminine form and through the exaggerated femininity they can help achieve, empower women of all shapes and sizes. It shows women that sexiness and femininity can be found and harnessed. Neo-burlesque both challenges the society's definition of feminine and the ways in which you achieve it.
The return of the burleycue marks a shift in feminist thinking. Women are seeking to return to the "visual pleasure" of being a woman, the "to be looked at ness" of the female body. Not just for the male gaze or male pleasure but their own - which includes their pleasure in being desirable to the opposite sex. Historically, scientifically and genetically, this is a primal instinct. Why not make it fun?
The liberated woman of the 21st century is no more afraid of being objectified, but rather seeks to be adored for what they can create out of what nature gave them. The theatre and glamour of burlesque creates the idea that the female body can arouse and command. To the modern day women, this is powerful.
(i'd like to add, that the issue of feminism, at the core, is very serious in places like Africa, Asia and the MIddle East where HONOUR KILINGS AND CHILD MARRIAGES take place. Places like these need the continuing support of those of us lucky enough to be born in countries where feminism has changed our lives)
*** CONGRAGULATE YOURSELF, this was a long piece of writing. This is a little something I wrote for school about burlesque and 21st century stereotypes placed on women and issues i face with stupid people.
THE GREATEST FORM OF "LIBERATION" SELF INDUCED "SUBMISSION" .. what i'm trying to say is, the greatest form of "feminism" in countries where feminism has achieved equality for women, is not being afraid to be objectified, and turning being "a sex object" into a positive