Finally started really reading "Walden." According to Thoreau's "Economy," changing clothes should more reasonably happen at important junctures in life; similarly to molting, or leaving a chrysalis.
Paranormal Activity premiered at Slamdance 2008, where it was acquired by Dreamworks and was later passed onto Paramount for distribution. It was made on $15,000 and has already grossed 8 million at the beginning of its theatrical run. Check out the article below to read how the filmmakers wanted to redo it on a bigger budget, but were eventually able to release it in its original form, with some edits. And how it's the latest word-of-mouth success in film.
AP – In this film publicity image released by Paramount Pictures, a
scene from the film, 'Paranormal Activity,' …
By DAVID GERMAIN, AP Movie Writer David Germain, Ap Movie Writer
–
Wed Oct 14, 7:31 am ET
LOS ANGELES – The critics have spoken. Here's what more than a few have to say:
"Scariest movie of the decade."
"Scariest movie of my life."
"Scariest movie of our time!"
For Hollywood studio flicks, such raves usually are no more than icing on top of a marketing campaign that cost tens of millions. For "Paranormal Activity," the raves are the marketing campaign.
The comments above, repeated over and over again in various contexts on Twitter and Facebook — along with other online fan buzz — propelled the micro-budgeted horror movie
to a $7.9 million weekend in just 160 theaters. That's a colossal
average of $49,379 a theater, compared with $11,429 in 3,000 theaters
for "Couples Retreat," which debuted as the weekend's No. 1 movie with
$34.3 million.
"Couples Retreat" has stars — Vince Vaughn, Jon Favreau, Kristen Bell, Kristin Davis
— plus the traditional mammoth studio sales push — one that included TV
spots, billboards and a chic junket for Hollywood reporters on Bora
Bora.
"Paranormal Activity" mainly has just its fans — a legion growing by the minute as more and more people post their thoughts.
Distributor Paramount Pictures
so far has spent only a couple of million dollars promoting the movie,
a fraction of the marketing budget for big releases. Most of that money
has gone into its Web site and to set up screenings to build the buzz.
"This
movie doesn't lend itself to a big, giant marketing campaign. This
movie is an old-fashioned word-of-mouth movie," said Rob Moore,
Paramount vice chairman. "By and large, at today's production budgets,
it's really hard to say, `All right, now we're going to rely on the
audience and their word of mouth to make it work.' Not when you have
tens of millions of dollars in production costs invested in the movie."
The
studio has only a pittance invested in "Paranormal Activity." Shot by
writer-director Oren Peli for a reported $15,000, the movie was
acquired by former Paramount partner DreamWorks at 2008's Slamdance Film Festival.
The
original idea was to reshoot the movie, putting more money and gloss
into the documentary-style fictional tale of a couple tormented by
strange phenomenon and apparitions.
But
Paramount decided Peli's raw little fright film could stand on its own.
The studio trimmed the movie a bit and punched up the ending, then
tried to figure out the best way to hook fans.
In
keeping with the movie's do-it-yourself indie spirit, Paramount started
with midnight-only screenings in 13 cities, then let the online
community decide where the movie would play next.
Over
the second weekend of midnight shows, "Paranormal Activity" expanded to
20 more markets where it got the most requests from a Web site the
studio had set up. Fans continued to vote, deciding the movie's next
destinations as it went into all-day release in 46 markets this past
weekend; the studio plans to continue rolling the movie out to more
theaters based on what towns request it the most.
The
fan base has grown exponentially as more people saw the movie, then
jumped online to write about it. "Paranormal Activity" has lingered on
and off for days among Twitter's most-popular "trending topics," where it remained on Tuesday.
"On
the social-networking sites, everybody's talking about how freaking
scary this movie is," said Paul Dergarabedian, box-office analyst for
Hollywood.com. "This does not happen every day. This is literally
capturing lightning in a bottle."
Finishing at No. 4 for the weekend, just ahead of the "Toy Story" 3-D double-feature and just behind "Cloudy With a Chance of Meatballs," "Paranormal Activity" raised its total haul so far to $9.1 million.
Internet hype has become part of every movie's marketing plan, but
online buzz generally is a supplement to traditional advertising.
Another indie horror tale, 1999's "The Blair Witch Project," became the biggest hit ever discovered at the Sundance Film Festival as months of online chatter pushed it to a $140 million haul.
Preceded by similar Web patter, 2006's "Snakes on a Plane" wound up fizzling, fans deciding it was more fun to sound off about the movie online than to actually see it.
With a combination of Internet buzz and cryptic advertising, Paramount
created an aura of mystery around producer J.J. Abrams' monster movie "Cloverfield," turning it into a solid hit last year.
Paramount is adding hundreds more theaters this Friday, a critical
weekend that will help determine if "Paranormal Activity" graduates
from impressive indie success to full-blown phenomenon.
Could "Paranormal Activity" be the new "Blair Witch," riding online mania to join the $100 million hit club?
"That would seem highly improbable, since it hasn't happened
this decade," Paramount's Moore said. "I certainly wouldn't attach a
goal at that level, but it certainly has turned into a major success,
and the next several weeks will determine what level of success it'll
reach."
Wendy has a BA in English Literature from Cornell University and an MFA in Filmmaking from New York University. Her thesis film, Moon Lady, won Best Narrative Short at the San Diego Asian Film Festival 2008, and the Lillian Onque Award at the Gate City Women's Film Festival 2009, and was also an Official Selection of Slamdance 2009. She worked as a feature programmer for Slamdance 2010, and is currently redrafting two feature film scripts.
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