Yo, I just got back from a week in London. Had the good fortune to be there while Jay-Z was in town - he headlined Glastonbury of course, and also played a show a few days ago at Hyde Park, which I checked out. It was off the hook as you might expect - Hov had the crowd in the palm of his hand.
What impressed me most - as a true anorak - was the quality of the lighting and the sound. The videos below don't do them full justice, but give you some idea of the crowd response.
The umbrellas are up because of the Rihanna track - luckily by then the skies had cleared. Earlier in the week I managed to catch Erykah Badu at the Brixton Academy. Another dope show - her band was mad tight and she carried herself like she was from another planet. My favourite bit was the Dilla dedication below:
Yo, I missed this a few days ago. The Ruler is free! Slick Rick, the rapper who made gold jewellery (and eye-patches) dope finally got pardoned.by the New York governor. After reading this, I started looking for
some old Slick Rick videos on YouTube and found this. Man, this is some
crazy ish.
Yo, I put a new track up on the page - I've been so slack about blogging lately but figured I should at least try and spread a little love because it's been such a rough week for people in China and Burma.
It ain't brand new but it's one of the ones I like quite a lot from last year. So listen to 'Get Nice' and see how you feel. Big shout to my man GS for hooking the mix up. Peace.
Man, I
gotta say I’m pretty amazed by how many rappers there are in HK these days. I
remember when there were like, um, two. But now it's like everybody wanna emcee... It's all good - should make it easier for even more
emcees to come through. Soon we can maybe form a union or something...
I caught up
with Leo37 earlier today – he’s a Canadian Chinese rapper who’s coming by
HK soon to play Underground 54 at Cixi soon. And I thought one thing he said
was pretty interesting, that he feels hip-hop in Asia is more fun because
people are more open-minded here, there are fewer limits about what hip-hop is or
isn’t. So he’s basing himself in Taipei these days.
And,
obviously, it’s easier for him to be an Asian rapper out here. When I asked him
about this, he said: “It’s tough for Asian rappers in North America because the stereotypes in terms of
white and black are gone, but being an Asian emcee there are still a lot of
walls to break down. There’s no single Asian superstar in North America period. I’m not automatically
disrespected because there are lots of open-minded people. But, more than I
like to hear, people have come up and said you’re good for a Chinese guy.”
A bit
funny, but a bit sad too. I guess we should be thankful that out here, it's usually about the beats and rhymes, and nothing else.
Yo, I know it's a bit late since that bombastic 24 Herbs launch concert at Delay No Mall, but I wanted to talk a little about the mall itself.
Or about Douglas Young - the G.O.D founder who seems to enjoy getting into trouble with the law. A few months ago dude got banged up because of some T-shirts that may have broken some laws about representing triads. I'd had the opportunity to interview him not long before that, so managed to contact him soon after his arrest. He was, as usual, pretty cool about the whole thing - and why not? Not saying that he was right, but the little incident got his label onto newspaper front pages everywhere. Good PR is cheap.
A few weeks later, he dropped us this letter, which was published in Media magazine. I think it makes some worthwhile points. Would be interested to hear what you lot think...
Hong Kong still has a long way to go to be a creative city
It is the duty of creative people to challenge taboos. The development of art and science has always been about pushing the limits of convention. Scientists challenge the limits of technology in order to bring about the next breakthrough. Artists question the status quo in relation to today’s worldview and break conventions that are out dated. What is acceptable to future generations may be taboo in the past and conversely, that which is acceptable by previous generations may become intolerable for the future.
Moralists fear that we are moving towards a society with increasingly lax morals and standards. This is not true. We cannot artificially restrict the process of social change. Future standards of morality will be different from that of the present, but it does not necessarily mean that it will be broader than that of today’s. It will just be over a different spectrum of social practices.
For example racial and sexual discrimination was tolerated in the past, and that is now rightly restricted. Whereas the use of the F word has now become so commonplace that social acceptability can be arguably justifiable. After all, the use of swear words is frequently devoid of its literal meaning. This is a process where the spectrum of acceptability shifts to accommodate new values and at the same time discarding archaic ones. The overall level of tolerability may not have increased or decreased, therefore moralist have nothing to fear.
A modern society should revise its standards in order to take into account changing social phenomena. This is why important debates should be taking place across the community to establish up to date codes of social practices.
We should be pushing the limits of social conventions and the law should not be obstructing meaningful debates. It would hinder the development of social change.
Creativity has always been fraught with restrictions and limitations. For me, such limitations involve ethical issues concerning religion, sex and race, but from a business point of view, it also includes commercial viability. Creativity and freedom of expression, in reality, can never
be unrestricted. To call for this would be naïve and unrealistic.
The government has an obligation to revise its statutory limitations according to changing social conventions in line with the rest of the world.
The arrest of my company members over a T shirt print has shown a lack of communication and coordination between various government departments. If this city purports to be a creative hub for Asia (a fulfillable potential given its advantages), it must first be prepared
for it.
Before such an ambition can be realized, all government departments should work in line towards a shared vision that is set out by the highest authourity. It needs to be clear, precise and comprehensive. All departments should fall in line with it. It also requires constant
updating of established rules of conduct so that conflicts and contradictions between individual departments can be eliminated. The result should be a consistent set of policies enabling HK to realize its ambition.
Emerging from Hong Kong's concrete jungle with a god-given flow, Waxxmatic is a rapper, writer and producer, observing the city's chaos over gritty boom-bap beats.
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