My blog More entries >
-
West 32nd on DVD ~ OCTOBER 13!
Tuesday, Oct 6, 2009 9:32AM / Members only
THIS IS NOT A CHINATOWN BOOTLEG!It's the real thing and it's finally here -- West 32nd on DVD (packed with extras!).You've been waiting a long time for this day to come. This is the movie you've heard about or caught at its festival run throughout the world (Tribeca Film Festival, Pusan Film Festival, etc.). Get it where all DVDs are sold or rented.Tell your friends!FIGHTING!-West 32nd TeamPre-order on AMAZON: http://www.amazon.comAdd to your NETFLIX Queue: http://www.netflix.comOFFICIAL WEBSITE: http://www.w32nd.comFACEBOOK FAN PAGE: http://www.facebook.comPATHFINDER PICTURES: http://pathfinderpictures.com/
Pathfinder Pictures presentsWest 32nda film by Michael Kangfeaturing John Cho, Jun Kim and Grace Park"Korean-American director Michael Kang gives the classicdetective genre a fresh twist as he tells the untold story of a Koreathat exists in the heart of the Big Apple.""What separates Michael Kang's second feature from the rest, however, isthe location: New York's shady Koreatown. By transplanting the roomsalons and hierarchies to Queens, Kang has created a film that's bothfresh and familiar."DVD EXTRAS:- 16:9 Anamorphic Aspect Ratio
- Audio Commentary with Director Michael Kang and Actors John Cho and Jun Kim
Deleted Scenes - Production Gag Reel
- Music Video for Heather Park's "Leave Me To Dream"
- Interview with writers Michael Kang and Edmund Lee
- Official Trailer
SYNOPSIS:When John Kim, an ambitious young lawyer, takes on a pro bono case to exonerate a fourteen-year-old boy from a first degree murder charge, he finds a world he never knew existed in the underbelly of Manhattan -the Korean underworld. Infiltrating the knotty and complex realm of Korean organized crime to search for clues, he meets his match, MikeJuhn, a rising soldier in the syndicate. Recognizing John's determination and daring, Mike brings John into his confidence, furtively drawing him into his scheme to re-shuffle the Korean underworld. Though they become fast friends, they just as quickly end up trying to outfox each other as they discover they'll both do anything to win.
A NOTE FROM JOHN CHO:
When I came to Los Angeles to pursue acting 10 years ago, it felt like I was one of very few Korean American guys in town. In the years since, the situation has changed dramatically – I would never have guessed then that there would be so many prominent Korean American actors working today. And it’s been so exciting to see that growth paralleled by the growth of Korean cinema in the global market.
I began to wonder what it would be like if resources and talent flowed both ways, from the United States to Korea and back? One of the first answers to that question is a Michael Kang movie I acted in called West32nd. It’s set in New York’s Koreatown; it’s often bi-lingual; itstars Korean American and Korean actors; and it was financed by CJ Entertainment, a Korean company that took a chance on this uniquely entertaining thriller.
On a personal note, the experience of making this film is among the most gratifying of my life. My character’s discovery of his own culture mirrored my own experience with a largely Korean American cast and crew. It was a special time for me.
But the opportunity to give birth to a new category of film – theKorean/American co-production – is also special. In success, I hope this film is a catalyst for stories, talent, and resources to be shared between Koreans and Korean Americans. It would be a shame for us to drop the ball on this now.
West 32nd is available on DVD October 13. We ask that you please alert those you know. This is the way it happens – people emailing friends and family. Thank you very much for reading.-John ChoActor West 32ndA NOTE FROM GRACE PARK:
Themaking of West 32nd, with its story, characters and cast, was an absolute gem of an experience. From the moment I read the openingsequence I was enthralled with the tapestry of visual stories that spun around you, seducing you into the underground world that lives andbreathes on Manhattan's West 32nd.Upon meeting the cast at ourtable read the first day, it was apparent that we were in the presence of casting magic, which became transformed into charismatic, compelling, inviting and dark performances and characters. It is hard to take your eyes off of these people as they live on screen.Being a part of this film was really important to me. It represents discovery. Discovery of myKorean heritage, peers, working in the Korean language, and the Koreanfilm market. As well for the audience, there's an unveiling, learning and exploration of this unique covert subculture. And finally I had apersonal revelation of myself involving self-image, perception and awareness because of my experience of and interactions from playing"Lila".This film comes at an excitingtime with Hollywood and Korea reaching out to each other, broadening and deepening their horizons. This film is a rich symbol of thatconsummation. Support and watch West 32nd and be a part of history. ThanksActress West 32nd
Grace Park
-
Wednesday, June 03, 2009
Wednesday, Jun 3, 2009 11:58PM / Members only
-
Wednesday, June 03, 2009
Wednesday, Jun 3, 2009 11:58PM / Members only
-
Wednesday, June 03, 2009
Wednesday, Jun 3, 2009 11:58PM / Members only
-
Monday, February 09, 2009
Tuesday, Feb 10, 2009 5:32AM / Members only
Dear Goofy
I have been stewing on this whole Miley Cyrus "chinky-eyes" photo thing all last week. In case you don't know what I'm talking about, here it is:
Apparently, the photo of Miley and her friends "goofing" around making funny faces (i.e. making fun of slanty-eyed Asians [including the one sitting next to her]) leaked out last week. It didn't surprise me that such a photo existed but it did make me sad. And then it made me angry after Miley came out with her weak-ass apology.
It came to a head for me yesterday at a small gathering of Asian American friends around some Vietnamese spring rolls. We agreed (in very loud angry tones) that something needed to be done about this, but my one friend insisted that going after a 16-year-old white girl would just make the Asian American community look hyper-sensitive and mean. My solution was that we need to start a letter-writing campaign to Disney. We need to let them know that we are effected by this whole thing. The only real way to effect change is to go directly to the people in charge.
Below I have pasted my letter to the two executive producers and the head of Disney Channel Worldwide. Below that I have addresses to which you can send letters as well. The more actual mail they recieve, the more likely they are to do something about it. Do not start an email campaign or a facebook group to protest Hannah Montana -- that stuff will just disappear into the cyber-ether. Actual viewer outrage in the form of a US postal delivery is a highly effective tool. For them to know you took the time to actually write, stamp and send a letter to their offices is a very big deal. If you are as outraged as I am about Miley's insensitivity and her lack of a proper apology, you will take the time to write your own letter.
On a side note, I feel like this Asian kid in the picture completely captures what the experience of growing up Asian in America is all about. Halfway in on the joke, halfway a butt of the joke -- the blind-sided "I-don't-know-how-to-react-to-this-racist-bullshit" look on his face sums up so many awful moments in my own life.Does anyone know who this kid is?
My letter:Dear Michael Poryes and Steven Peterman,Addresses:
I am writing in response to the recent controversy with the Miley Cyrus “slanty-eyed” photograph. As an industry professional, a concerned parent and an Asian American, this incident has struck me deeply. I am very disappointed in the lack of response by the Disney Corporation.
Miley Cyrus is a sixteen-year-old girl from whom I would expect immature and irresponsible behavīor. But as a company that prides itself on diversity, I would hope that as a responsible parent would to a child that knows no better, you would take measures to explain how hurtful and disrespectful her actions were.
As an Asian American who was born and raised in this country, I have had to endure similar humiliations throughout my youth. When I saw the aforementioned photo, it conjured up memories of schoolyard teasing that cast me as an outsider simply because of my race. Perhaps naively, I had thought we, as a country, had grown past this kind of outright racist taunting. For Disney to allow this incident to go unaddressed confirms that not only have we NOT evolved as a society but that those with the power to do something about it deem such actions as acceptable.
I am a card-carrying member of the DGA and WGA and have made two feature films that deal head on with representations of Asian Americans. While I don’t think anyone can claim to be an expert in this area, I come pretty darn close. I have witnessed my own struggle and the struggles of fellow talented Asian Americans in the film industry. When incidents like this occur, it chips away at my hopes that Asian Americans will one day be accepted in mainstream culture. It validifies that Asians will always be seen as foreign and in addition, easily mocked without fear of repercussions. Would this incident have been dealt with as much silence had the photo been of Ms. Cyrus in blackface eating watermelon in the guise as “goofing around?”
I was fortunate enough to take part in the ABC New Talent Directing Fellowship in 2006-07. During that time, I shadowed Roger Christiansen on episode 116 of Hannah Montana entitled “Good Golly Ms. Dolly.” While I found it a worthwhile and educational experience, I did make note of the fact that on the Hannah Montana set there was a lack of people of color both in front of and behind the camera. This was unique because on almost every other ABC show I had observed (e.g. LOST, Desperate Housewives, George Lopez, etc) this was not the case. In fact, as best as I can recall, I think I was the only person of color on the set of Hannah Montana.
What further disheartened me was that Ms. Cyrus issued what she called an “apology” on her blog. Her tone was defensive and lacked any taking of responsibility for her actions. She demonized the press, framed herself as the victim and used the excuse that she was just making “goofy faces.” What she failed to recognize was that her “goofy face” was at the expense of Asians worldwide. Whether she intended to make fun of an entire race of people or not is not an excuse for doing so. If someone isn’t aware that drunk driving is against the law, they are still responsible for crashing a car into a telephone pole. As a public figure, she needs to understand that the example she is setting for the millions of girls that look up to her is cowardly and irresponsible.
As a new father, I am disappointed that my baby girl will have to suffer the same lack of good role models as I did growing up. Is this the best that Disney has to offer her? I hope not. Please take the appropriate measures to remedy the situation. I would like to think we could all grow from this experience.
Sincerely,
Mike2CentsMichael Poryes (Executive Producer/Creator Hannah Montana)
c/o Debbee Klein
Paradigm
360 N. Crescent Dr., North Bldg.
Beverly Hills, CA 90210
USA
Steven Peterman (Executive Producer/Creator Hannah Montana)
c/o It's A Laugh Productions
201 N Occidental Blvd Bldg 6
Los Angeles, CA 90026
USA
Rich Ross
President, Disney Channel Worldwide
3800 W Alameda Ave #2026
Burbank, CA 91505
USA
