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官方艺术家
毕国智
导演
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The Tao of Ken — My journey on the making of “The Drummer” (taken from blog on kenbiroli.com)

中文請點 這裡

ComposerOne of the advantages of a co-production is the opportunity to work with different artists from different countries, where one would normally not have the chance to do so otherwise. is co-produced with Taiwan’s Arc Light Films and Germany’s Twenty Twenty Vision and that was the primary reason for hiring a German composer to score the film. This arrangement worked out great for us...Read more

接近 17 年 前 0 赞s  暂无评论  0 shares

The Tao of Ken — My journey on the making of “The Drummer”

中文請點 這裡RehearsalsWe started rehearsals with the lead actors in conjunction with the drum training. On a hot and muggy day, following an afternoon shower, I took Jaycee to the rooftop of our production office to start working on some improvisations to develop his tough yet vulnerable street-smart persona. From this vantage point, we could see across the street in Johnnie To’s office that the curtains were drawn an...Read more

接近 17 年 前 0 赞s  暂无评论  0 shares

The Tao of Ken — My journey on the making of “The Drummer” (taken from blog on kenbiroli.com)

中文請點 這裡RehearsalsWe started rehearsals with the lead actors in conjunction with the drum training. On a hot and muggy day, following an afternoon shower, I took Jaycee to the rooftop of our production office to start working on some improvisations to develop his tough yet vulnerable street-smart persona. From this vantage point, we could see across the street in Johnnie To’s office that the curtains were ...Read more

接近 17 年 前 0 赞s  暂无评论  0 shares

The Tao of Ken — My journey on the making of “The Drummer”(taken from blog on kenbiroli.com)

中文請點 這裡Step 3 — Principal Photography: Framing the filmAs the writer, I create the arc and flow of the story, while as the director, my job is to visualize the film and break the scrīpt down to filmable elements. These elements will be the film’s own language.For me, the most important part of directing is the word “direction,” i.e. where th...Read more

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The Tao of Ken — My journey on the making of “The Drummer” (taken from blog on kenbiroli.com)

中文請點 這裡

Step 2 — Pre-production: casting – Lee Sinje (aka Angelica Lee & Lee Sum Kit)

I first saw Lee Sinje in , for which she received the Best New Talent Award at the 2001 Berlin International Film Festival. I met her in person about a year later in Sylvia Chang’s office and was struck by her sincerity and simplicity.For the female lead in , the character demands an actress who is...Read more

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The Tao of Ken — My journey on the making of “The Drummer” (taken from blog on kenbiroli.com)

中文請點 這裡Step 2 — Pre-production: production design and set constructionMountains are significant to the drummers of U Theatre and also in my film, because it’s where the physical and metaphysical transformations of the lead character, Sid, will take place. A huge challenge in The Drummer, therefore, was to create the mystical world on a mo...Read more

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The Tao of Ken — My journey on the making of “The Drummer” (taken from blog on kenbiroli.com)

中文請點 這裡Step 2 — Pre-production: casting – Tony Leung Ka FaiThe key element of

was to have the real drummers from U Theatre play themselves or a fictional version of themselves in the film, because no one else can play them. The second biggest challenge was to find actors who fit the characters I have written and can bring them to life.I studied and practiced theatre and am fascinated with morally...Read more

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The Tao of Ken -- My journey on the making of “The Drummer” (taken from blog on kenbiroli.com)

中文請點 這裡 Step 1 – Story Development One day near the end of 2000, my wife suggested we go and see a drumming performance by a group from Taiwan. The style is traditional Chinese, using the big red drums. Drumming, I thought, who doesn’t like to watch and listen to drumming? I said yes immediately. At the performance, I saw something more than drumming, as did the entire of the audience, I’m sure. The spec...Read more

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MUSIC IS FOOD FOR THE SOUL (taken from blog on kenbiroli.com)

Dedicated to Masahiro Kawasaki

The composer for Rice Rhapsody, Masahiro Kawasaki, passed away on May 3rd, 2006. It was my honor and good fortune to have worked with him. He was a great and generous man, full of compassion, curiosity and humour.

I came to appreciate his music when I first saw Bounce Ko Gals directed by Masato Harada. His music became, for me, the soul of that film, speaking the unspeakable, letting us glimpse into the souls of the three young women in the film. It w...Read more

接近 18 年 前 0 赞s  暂无评论  0 shares

Working with actors (taken from blog on kenbiroli.com)

Sylvia Chang has just garnered another nomination for “Best Actress” at this year’s Hong Kong Film Awards for my film Rice Rhapsody. She has already been nominated in the same category at the Tokyo International Film Festival and Golden Horse Awards in Taiwan, and won a Jury Award for “Best Actress” for this film at the Newport Beach International Film Festival. Congratulations to her once again!

This is a great way to start my blog on actors.

In life we are taught to think before we spea...Read more

大约 18 年 前 0 赞s  暂无评论  0 shares

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位置(城市,国家)以英文标示
Hong Kong
性别
male
加入的时间
August 16, 2007