he is the faithful cohort of a time-traveling superhero on NBC’s hit
series “Heroes.” And similar to his superpower-wielding character, the
man behind the amiable Ando Masahashi sports a few supernatural talents
of his own — for starters, determination against all odds.
With nine film and television projects underway, James Kyson Lee is
coasting on a wave of “Heroes”-induced fame. From the upcoming romantic
comedy “White on Rice” to horror flick “Necrosis,” Lee enjoys running
the genre gamut. “Each project is different,” says the 33-year-old
actor who recently learned to play guitar for his musician role in
“White on Rice,” “especially when you’re doing films. I have to perform
with a quick learning curve. Any time you get to pick up new roles, you
learn new skills.” A burgeoning global jet-setter, Lee has traveled to
international shooting locales as varied as Bulgaria, England, and
Japan.“I was supposed to spend a night at a hostel.
But when I got there, I ended up driving around the ocean. I got
completely lost, ended up at some mall parking lot, and fell asleep. I
fell asleep in my rent-a-car.”
Not bad for someone who spent his first night in Hollywood sleeping in a rental car.
Flashback to eight years ago, when Lee’s prospects looked completely
different compared to the nation-hopping lifestyle he leads now. Then a
communications major at Boston University, Korean-born Lee was stuck in
a quintessential quarter-life crisis: “I was twenty-four, twenty-five
and I still hadn’t forged an idea of what my life was about,” Lee says.
Finding himself not particularly interested in his major or the
prospective of corporate life, the New York City native broke through
the slump when a friend invited him to participate in an improv comedy
troupe. “I went to see what it was like and I just had the time of my
life,” Lee says. “I felt like I was seven again.” Though the small
group only performed short-form improv games (think “Whose Line Is It
Anyway?”) for family-and-friends types of audiences, the acting bug had
permanently latched its jaws onto Lee.
By the summer of 2001, Lee says he had sold 90 percent of his
possessions for a one-way plane ticket to Los Angeles. “I didn’t know
how Hollywood worked at the time, but I felt like I hadn’t found my
path, my identity yet … I felt like I needed to go to a new
environment,” he says of his impromptu decision. Of course, not
everyone took Lee’s newfound initiative as good news, least of all his
parents. “They thought I was crazy; They didn’t know what I was doing.
But I needed to go and find my life,” he says. Selling his used car for
$1,800, Lee resisted any qualms and naysayers and flew to Los Angeles,
landing late in the evening with only a rental to call his own.
“I was supposed to spend a night at a hostel. But when I got there,
I ended up driving around the ocean,” says the star, chuckling at the
memory. “I got completely lost, ended up at some mall parking lot, and
fell asleep. I fell asleep in my rent-a-car.”
After gaining some bearings, Lee immediately hit the L.A. scene,
looking to break into show business. He enrolled in community college
acting classes and began to train in various performance arts. “I took
acting classes, jazz dancing, musical theater, anything I’ve ever been
curious about but never went for,” he says. “Twenty years of repressed
creativity exploded. I felt like I kept discovering these new worlds.”
To pay the bills, Lee tutored SAT classes and worked in educational
theater troupes that toured public schools. Eventually all the “safe
sex” and “family communications” skits made way for bigger things. Lee
landed his first television gig, a small guest part on CBS’ JAG, within
three years of living in Hollywood.
However, it wasn’t until Lee was cast as a certain
Japanese-speaking, Western culture-loving sidekick on runaway hit
“Heroes” that he began to reap national stardom. “He wanted to escape
the Japanese corporate life,” says Lee of his righteous-mannered
character, Ando. “A lot of times, he’s the comic relief [and] the voice
of reason; I feel like my story line is more light-hearted. That’s why
it’s fun to play Ando.”
The Korean American says he has no trouble slipping into his
Japanese alter-ego. Relying on his Japanese classes from college and an
on-set vocal coach, Lee takes care to avoid turning his character into
a stereotype. “You make sure to bring the integrity and the strength of
the character you play through,” he says.
After all, Asian representation in the media doesn’t need to take
any punches. “Statistically, we are the smallest represented,” says Lee
on the state of Asians in American media.
Though the recent breakout successes of actors such as Lee are
pushing up against the glass ceiling, for this “Heroes” star, progress
begins from the creative level. “It starts from the written page, when
you have more successful [Asian American] writers and filmmakers. The
more people in this field, the more these projects will become a
reality,” he says. “We, as a group, are very young in this business… We
still have a long way to go.”
Lee views his own career in a similar light: satisfied with what has
been accomplished, but believing there is a much longer road ahead.
“Ultimately, [my goal is to] be part of projects that tell a
powerful story or make a strong impact,” he says. “I’m just getting
started on this journey. The last couple of years has been great; I
feel like I’m in the early stages of my career.”