Motown 25: Yesterday, Today, Forever was an intimidating stage — a commemoration of the pivotal record label and its barrage of superstars. The Miracles, Marvin Gaye, and Stevie Wonder all performed, and Michael Jackson leveraged the event to promote his new single "Billie Jean." Aside from the Beatles' performance on Ed Sullivan, I don't know that I've ever seen an audience so rapt. Their intermittent squeals indicate they'd never seen a performer of such visceral magnitude, and of course, neither had the world. Though the performance is pure lip-sync, the phenomenon and the Moonwalk are quite live.
It's troubling to hear of how Michael Jackson "made an impact," because — the fact is — he reinvented impact. Michael Jackson proved the sumptuous combined powers of dance, invention, music, and urgency. His showmanship hits with such immediacy that it's impossible to imagine our current music landscape, full of choreography and fast edits, without it.
So experience it again: That indefatigable bassline, that cool thrust, the birth of a megastar.
That would have been one hellava cruel practical joke. 'Hey everyone Michael Jackson is dead!!!' 'really?' 'Hahahaha just kidding, gotya!!!' *shudders* Nah I rather it be real than a joke. It's bad enough there was all these hoaxes, within minutes of him passing, of all these other big name celebrities that supposedly died.
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